|
|
|
|
|
|
|
|
Mon Mar 30
When Breath Becomes Air, Wheaton College's Core Book for 2025-2026, has raised enduring questions--and rich conversations--about death and dying across campus. In "MEASURE EVERY GRIEF. A poetry project," Arena Theater explores how theater can enter into this conversation - an evening with nearly 30 poems asking questions about what it means to live in a world where one is bound to encounter grief.
More Information
|
Tue Mar 31
When Breath Becomes Air, Wheaton College's Core Book for 2025-2026, has raised enduring questions--and rich conversations--about death and dying across campus. In "MEASURE EVERY GRIEF. A poetry project," Arena Theater explores how theater can enter into this conversation - an evening with nearly 30 poems asking questions about what it means to live in a world where one is bound to encounter grief.
More Information
|
Wed Apr 01
When Breath Becomes Air, Wheaton College's Core Book for 2025-2026, has raised enduring questions--and rich conversations--about death and dying across campus. In "MEASURE EVERY GRIEF. A poetry project," Arena Theater explores how theater can enter into this conversation - an evening with nearly 30 poems asking questions about what it means to live in a world where one is bound to encounter grief.
More Information
|
|
|
|
|
|
|
|
Wed Apr 08
Violinist Soh-Hyun Park Altino, cellist Leonardo García Altino, and pianist Hyejin Cho present From Duo to Trio, a program that explores the textures and dialogue of chamber music in varying ensemble combinations. Moving between duos and trios, this concert highlights the expressive range and collaborative spirit at the heart of the chamber music tradition.
More Information
|
|
Fri Apr 10
Wheaton College’s Men’s Glee Club, est. 1907, is a choir composed of male singers across campus whose core values are Truth, Integrity, and Brotherhood. The MGC is among the tightest group of men one could find at Wheaton College, whose influence is known throughout the region, nation, and overseas. Though they are their own stand-alone choir, the MGC often performs with their sister ensemble, the Women’s Chorale, while on tour and on campus.
More Information
|
Sat Apr 11
The Wheaton College Symphonic Band strives for excellence in their performances of works for concert band written within the past century. Led by Dr. Brady McNeil, the WCSB is comprised of strictly woodwinds, brass, and percussion within their ensemble to create a sound unlike any other. Notable performances include Johan de Meij’s First Symphony “The Lord of the Rings,” Barnes’ Third Symphony (Tragic), and Tchaikovsky’s Marche Slave. Among their many achievements, the WCSB was invited to participate in the 2013 Illinois Music Education Conference and the 2014 North Central Division Conference of the College Band Directors National Association.
More Information
|
|
|
|
|
|
Thu Apr 16
“Why are some people sick and other people well? And why do some sick people get better?” A plucky young woman, clutching her notecards, sets out to address these questions. The results are at once graceful and awkward, elegant and confusing, heartbreaking and hilarious. Just like life.
This production is directed by Mark Lewis.
More Information
|
Fri Apr 17
With a sound hailed as “luxuriously warm” and “fiercely intelligent,” the Brentano String Quartet brings over three decades of expressive mastery to the Artist Series. From Carnegie Hall to concert halls across five continents, this acclaimed ensemble captivates with bold programming, emotional depth, and breathtaking cohesion. Experience chamber music at its most intimate and inspired.
More Information
“Why are some people sick and other people well? And why do some sick people get better?” A plucky young woman, clutching her notecards, sets out to address these questions. The results are at once graceful and awkward, elegant and confusing, heartbreaking and hilarious. Just like life.
This production is directed by Mark Lewis.
More Information
|
Sat Apr 18
The Wheaton College Percussion Ensemble, founded by Dr. Kathleen Kastner in 1972, strives to create music using drums, keyboards, bells, whistles, pipes, and other everyday or abstract objects. Led by Dr. Noel Streacker, performs once per semester in Edman Chapel, as well as in the surrounding schools and at clinic presentations. Shortly after its founding, the Percussion Ensemble was presented at the Creative Arts Festival in 1973.
More Information
“Why are some people sick and other people well? And why do some sick people get better?” A plucky young woman, clutching her notecards, sets out to address these questions. The results are at once graceful and awkward, elegant and confusing, heartbreaking and hilarious. Just like life.
This production is directed by Mark Lewis.
More Information
|
|
Mon Apr 20
Wheaton College faculty violinist Lee Joiner is joined by guest pianist Eugenia Jeong for an engaging recital program featuring works by György Kurtág and Johannes Brahms. The program pairs the refined intensity of Kurtág with the expressive richness of Brahms, offering a clear contrast in style and emotional character.
More Information
|
|
Wed Apr 22
“Why are some people sick and other people well? And why do some sick people get better?” A plucky young woman, clutching her notecards, sets out to address these questions. The results are at once graceful and awkward, elegant and confusing, heartbreaking and hilarious. Just like life.
This production is directed by Mark Lewis.
More Information
|
Thu Apr 23
“Why are some people sick and other people well? And why do some sick people get better?” A plucky young woman, clutching her notecards, sets out to address these questions. The results are at once graceful and awkward, elegant and confusing, heartbreaking and hilarious. Just like life.
This production is directed by Mark Lewis.
More Information
|
Fri Apr 24
Wheaton College’s Women’s Chorale, est. 1927, is a choir composed of female singers across campus. Originally known as the “Women’s Glee Club,” the Women’s Chorale owes its name change to the renowned Dr. Mary Hopper, who led the group from 1979 to 2021. The Women’s Chorale continues to strive for excellence in performance and fellowship among the women in the ensemble. The Chorale is known throughout the United States, Europe, and the British Isles from their national and international tours throughout the decades, and they were also featured at the Regional and National American Choral Directors Association (ACDA). Though they are their own stand-alone choir, the Women’s Chorale often performs with their brother ensemble, the Men’s Glee Club, while on tour and on campus.
More Information
“Why are some people sick and other people well? And why do some sick people get better?” A plucky young woman, clutching her notecards, sets out to address these questions. The results are at once graceful and awkward, elegant and confusing, heartbreaking and hilarious. Just like life.
This production is directed by Mark Lewis.
More Information
|
Sat Apr 25
“Why are some people sick and other people well? And why do some sick people get better?” A plucky young woman, clutching her notecards, sets out to address these questions. The results are at once graceful and awkward, elegant and confusing, heartbreaking and hilarious. Just like life.
This production is directed by Mark Lewis.
More Information
Performing since the mid 1800s, the Wheaton College Symphony Orchestra sets the standard high when performing classic and new orchestral works. Directed by Dr. Benjamin Klemme, the WCSO performs regularly at Wheaton College, participates in the Christmas Festival, and tours around the region, nation, and overseas. Notable performances include Shostakovich’s Fifth Symphony, Beethoven’s Fifth Symphony, Respigi’s Pines of Rome, Tchaikovsky’s Fifth Symphony, and Elgar’s Enigma Variations. In 2012, the WCSO won the American Prize under the direction of Dr. Daniel Sommerville. Above all, the WCSO strives to integrate classical performance with Christ-like love and worship.
More Information
“Why are some people sick and other people well? And why do some sick people get better?” A plucky young woman, clutching her notecards, sets out to address these questions. The results are at once graceful and awkward, elegant and confusing, heartbreaking and hilarious. Just like life.
This production is directed by Mark Lewis.
More Information
|
|
|
|
|
|
|
|
|
|
